公众号“界面文化”的《：看到江湖，然后面对它的消逝》一文探讨了武侠片的没落，作者王百臻写道：“于武侠电影而言，这些过程所导向的后果无疑是惨痛的：当江湖失去了其独特的道德厚度，转而嵌入全球大众文化的消费模板，其作为民族类型的生命力便不可避免地在同质化的洪流中被稀释，最终在与好莱坞超级英雄、魔幻史诗的正面竞争中失去了叙事的唯一性。”
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He may have wanted to engage Sheriff Hall in a battle of wits, leaving a trail of clues behind for a cunning opponent. He knew he was being recorded by the jail’s cameras, and he always wore the telltale dust mask. He surely noticed that the circular key ring he left in the key-control room was unlike every other key ring in the jail. Still, for days, he let it hang there, its lock cracked, instead of replacing it. By having letters notarized, he left a paper trail that led to his arsenal. Clues were still turning up long after the Downtown Detention Center opened, in May, 2020. More than three years later, Hall’s staff found a correctional officer’s uniform that Friedmann had stowed in the jail’s ductwork.
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